[1]
N. Yadav and M. Singh, “A Critical Rereading of Meghna Pant’s The Man Who Lost India as Dystopian, Feminist, and Postcolonial Allegory”, SIJMDS, vol. 3, no. 2, pp. 41–48, Jun. 2026, doi: 10.63960/sp.2026.sijmds.3.2.32.